Žarko Smiljanić Grafike

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,, When I saw the first prints of Zarko Smiljanic, a few years ago, I felt that I walked into another world, world of nature, peacefulness, lights, shadows, loneliness and silence… The world of exquisite aesthetic, highly unlike the one we spend most of our days of this worldly life…
Vasa Pavkovic
,, There are no figural motifs, no people in Smiljanic’s prints...Only plants, objects, firmament or Pleiades (Seven Sisters star cluster) can be seen. It appears that there is no life at all, however, there is much life in his graphics, there are so many souls - only they have to be discovered there.
Prof. Miodrag Jovanovic
,, Žarko Smiljanić finim grafičkim tkanjem, izuzetnom senzibilnošću i tonskom iznijansiranošću otiskuje delove predela...Njegov potez nekad je minuciozan, drugi put vibrantan, ali uvek siguran i precizan. Korišćenjem odabrane tonske skale dočarava poetsko lirski štimung.
Žarko Smiljanić poseduje raskošno umeće grafičkog zanata i osobeno osećanje sveta i prirode. Kombinovanjem grafičkih tehnika duboke štampe, ostvaruje kompozicije jedinstvenih, istančanih rešenja i nadrealne atmosferske bajkovitosti.
Vanja Kraut
,, Na Smiljanićevim grafikama nema figuralnih motiva, nema ljudi... Tu su biljke, predmeti, nebeski svod, sedam Vlašića. Učini nam se da nema života, međutim mnogo je životnog u tim grafikama, tu je život, tu su ljudi - samo ih treba otkriti.
prof. Miodrag Jovanović
,, Through his fine graphic knitting, exceptional sensitivity and tonal shading, Zarko Smiljanic prints out parts of the landscapes… His stroke across the plate is sometimes meticulous, then vibrant, but still steady and accurate. Using the selected tone scale he evokes the poetic-lyrical ambience. Zarko Smiljanic possesses lavish sense for graphic art and specifically he digests the world and nature throughout. Combining various printmaking techniques, he achieves unique composition of subtle solutions and surreal atmospheric fairy-tale.
Vanja Kraut
,, Prints performed in extraordinary skills. Smiljanic builds his plate carefully, patiently, in long-term processes, in classic techniques of printmaking, aquatint, vernis-mou, mezzotint. As the old masters had done long ago. In tradition of the noble craft skills. Usually in two plates, where the first plate often boasts mossy, grassy green, rich in structure, whilst the second plate, in its velvet black nuance, defines the scenery, light and shadow…
Prof. Biljana Vukovic
,, Smiljanić creates his prints with dedication, with infinite patience and precision, in order to perpetuate the expanse unspoiled by human touch and modern civilisation, far away from chaos, noise and hectic pace of modern everyday life. Not only that he brings into life sublimity and beauty of nature, but, in his tendency to present the forms in their tiniest details within his soft moves, he is creating a new world – fragile, thus poetic.
Natasa Backovic
,, Graphic sheets of Zarko Smiljanic have been marked by the lyric, intimate contemplation. Nothing impulsive exists in his prints, but only restrained lyricism and serene, twilight temperament. The unison, sophistication and harmony are the ideological determinants that have permanently defined the graphic opus of the artist… This artist is interested in oneiric, archetypal landscapes of extremely complex range of light and shadow. In these gorgeous and desert landscapes, captured in the moment of dusk or dawn, he explores the mystical constellation between woods and time. The magic and metaphysics of Smiljanic’s scenes lie in the unusual beauty of wood, earth and sky, in their elusiveness, but also in the divine touch.
Dragan Jovanovic Danilov